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As a visual artist, my work stems from being an avid explorer of my environment, where ever I may be. For this 5- plus week residency I intend on mapping the centers, and surrounding areas of Oaxaca and Puebla primarily by foot, opening my senses to the colors, smells, textures and people of this a foreign environment. Although my Spanish is fairly limited, I am determined to establish a sincere relationship with this new place, and in turn, plan on creating a site-specific art installation reflecting my experience. This blog will serve as a collection of data as well as a journal recording of my day to day episodes.

Tuesday, October 8, 2013

Concept to creation

The last five weeks have been amazing, and packed with harnessing concepts, and putting them in to creation. My project has turned out perfectly, thanks to all the people I have met and experiences I have had. A photo from the studio, pre-paste:
Spot sanctioned, time for action. On October 4th, 2013 around 5 pm in Oaxaca city, 3 unassuming gringos- two Americans and one Aussie, headed to said wall equipped with wheat paste and paper material. And then...





 You can find this Wheat paste mural on calle Berriozabal on the North side of Santo Domingo church.

Artist Statement:
For my residency, I am going to install a wheat paste collage of various paintings I have made that reflect my time in Mexico. With the intention of allowing this foreign environment to affect me and inspire new work, I took long walks around the inner and outer areas of Puebla and Oaxaca, as well as visited various smaller sights on the outskirts. I took photos, and wrote about my experiences which I kept track of on a blog in order to record my time here.


The paintings that make up the collage range from sites that I felt enamored by in their context to objects which reminded me of people I love and admire. I also have integrated symbolism into my work in order to create a shared visual language between myself, the foreigner, and my audience here in Mexico. These symbols range from quotes, and objects to a figure. All of which I have my own personal connection to, but also contain observable meaning here in Mexico.  


The centerpiece of my collage is a rendered image of Frida Kahlo. Although Frida has become sort of a cliché in Mexico (and even internationally) I chose to use a lesser known image of her and recontextualize it to resemble someone holy, or saintly. In my piece, she becomes a point of connection for me who admires her as a female painter, and my audience who view her as representing Mexican pride and identity.


My intention with this project has always been to establish a sincere and meaningful relationship with a new place. In the process, I have been forced to become very vulnerable in my new environment and therefore strip down the blockages of identity that initially caused me to feel like “the other”. By installing my piece in the public sphere, I aim to deepen my vulnerability and open up the conversation between myself, and my new audience. Also, my choice to create a collage holds a conceptual tie to the literal, and subjective layers of different thoughts and experiences I have had.






Monday, October 7, 2013

The hard part- finding a location to install.

I've spent the last week finishing up my project. It was crunch time so everyday I had something I needed to fine tune, and also, I still needed to find a location to install my piece in the public.
I'm so excited to say that I found an awesome location, right near Santo Domingo, and really close to Arquetopia as well. I chose this wall, not only because of its centralized location with a lot of foot traffic, but because it had another mural by a couple of artists from Argentina right down the way. This meant they was hope for receiving permission (as this usually pretty tricky to do in downtown Oaxaca since you have to get permission from the city.)

I was also pretty excited to have my piece by Hot Sauce, aka Drippy tits aka Bad Dad ;)

The spot...

the awesome mural by an Argentinian duo
Once I found this wall, I was totally set on getting it, but I had to face the daunting fact of getting permission from the Municipal... and somehow, by some miracle, I was granted permission by the mayor's assistant himself. It probably had to do with Steve and I's extraordinary professionalism! Anyhow, it worked, and I'm stoked.

Part of my proposal for getting the wall was that I would paint over the graffiti on my section, which I did: sorry drippy tits... but at least I left your hot sauce.

Sunday, September 29, 2013

Oaxaca's art scene in a nutshell

I am absolutely blown away by the amount of art there is in Oaxaca, and not just of one genre but so many different things going on all the time. This week was jam packed with art events, from openings almost every night, as well as an amazing lecture at the MACO, to the Oaxaca film fest which brought independent film makers from all over the world. It's hard not to go out here. The openings I have attended have been eclectic, interesting and have included a spectrum of artists from all over the world, as well as a plethora of Mexican artists. This place really does blow my mind more every day. With a population the size of my hometown- Reno, NV, it feels more akin to Brooklyn, NY. Go Oaxaca, go!
There are sooo many galleries, and other art-inclined things to explore in Oaxaca, and these are just a small dose of what there is to see. (and this doesn't even begin to scrape the surface!)
An Installation at 'Q' space

An amazing lecture by Australian performance artist, Stelarc at MACO

El Espacio Zegache
Matria- Jardin Arterapeutico

Matria- Jardin Arterapeutico

Matria

Matria

Matria

This isn't supposed to be an installation... but really looked like one. Matria

I don't know, but I like it. Matria

Matria

Matria

For seed bombs. Matria

Matria

Matria
Matria
Matria
Geska & Robert Brečević


Geska & Robert Brečević

Geska & Robert Brečević
Geska & Robert Brečević

Geska & Robert Brečević
Geska & Robert Brečević

Geska & Robert Brečević
'Zapata' a printmaking and gallery space
'Zapata' a printmaking and gallery space
'Zapata' a printmaking and gallery space
A stamp museum, exhibiting work about mail art culture
A stamp museum, exhibiting work about mail art culture
A stamp museum, exhibiting work about mail art culture

Monday, September 23, 2013

Saturday, adventure day.

Saturday was a good day, as it was an "epic adventure." In the morning, Steve and I went down to one of the largest markets I've ever seen- more towards the outskirts of Oaxaca central. As we descended down the street starting form the Arquetopia residency- near Santo Domnigo, and towards the market, it began feeling more and more like "Mexico" as the scenery became more gritty, eclectic, and not toursity at all. The market, Central de Abastos, was incredible although my stomach flipped a few times while walking through the seemingly neverending raw meat aisle...

Save for the meat section, it was awesome walking around the maze-like, endless sprawl of Central de Abastos, with everything you can imagine to buy- from clothing and furniture to produce to boot.
We ordered some quesadillas- quesillo with squash blossoms in an enormous tortilla, at a little stall in the market, then quickly had to chow down in order to make it to the bus heading to Monte Alban at 11:30.





Monte Alban, located approximately 20 minutes above the city, is a vast plateau covered with Zapotec ruins. If you can motivate yourself to make the trek up the impossibly steep steps of the ruins, you will find at the top an incredible view of the enormous, gorgeous sprawl of Oaxaca and beyond. Being up there and looking out is truly an amazing experience that is a must when traveling in Oaxaca. The air was crisp and fresh, and there was a peaceful sense of quiet stillness. Although we were kicking ourselves for not thinking to bring a picnic up there to have while chilling in the soft grass (<--- note to self for next time) we stayed up there for almost two hours taking it all in. Anyhow, I think the photos kind of speak for themselves- breathtaking. Click to enlarge.





  











After Monte Alban, the day continued to unfold in an adventuresome way. Next stop- Zaachila... but only after a brief pitstop at the infamous Mezcalaria- Cuish... Then, Zaachila.
Back at Central de Abastos, we hopped in a sitio taxi labeled "Zaachila." It was a tight squeeze, with 6 people in the tiny cab, but apparently, as Steve claimed "this is how you do it." Our point of going out to Zaachila, a sleepy little town about 20 minutes or so outside of Oaxaca, was to scout out some potential spots for my installation. We heard there was a lot of graffiti and murals there, so we wanted to check it out.
Cuish Mezcaleria
Cuish Mezcaleria
Once we got there, neither of us knew really where to go, so we started wondering down a random street away from the central market where we were dropped off. After a couple of blocks, a boy from across the street waved us down asking "buscan graffiti?" He happily became our tour guide, taking us in a loop through the neighborhoods with all the best graffiti and murals. After a couple of blocks with our spry tour guide, I noticed his shoes were covered in paint. "pintas?" I asked. "Si!" He said with a huge smile, and then we found out that we were actually looking at some of his work. Also, the questionable duffel bag he was carrying was actually filled with spray paint. For the rest of the day we both couldn't get over just how perfect it was to haphazardly meet this kid... Gracias amigo!





Steve and our Zaachila friend with his duffle bag full of spraypaint. Bless his cotton socks!







Post-epic-day-snack